jabse balam ghar aaye
jiyara machal machal jaaye
jabse balam ghar aaye
jiyara machal machal jaaye
o dil ne dil se kaha tha fasana
dil ne dil se kaha tha fasana
laut aaya hai gujra jamana
o laut aaya hai gujra jamana
khushiya sath sath laye
jiyara machal machal jaye
jabse balam ghar aaye
jiyara machal machal jaaye
o la ke ankho se dil me bithaaun
o la ke ankho se dil me bithaaun
muskura ke sitaare lutau
o muskura ke sitare lutau
asha jhum jhum gaaye
jiyara machal machal jaaye
jabse balam ghar aaye
jiyara machal machal jaaye
o din hain apne mohabbat jawan hai
din hain apne mohabbat jawan hai
unse abaad mera jahan hai
o unse abaad mera jahan hai
man ke chor chale aaye
jiyara machal machal jaaye
jabse balam ghar aaye
jiyara machal machal jaaye
I am so glad Lata Mangeshkar (through coaching and advice) managed to move
on from this absolutely annoying nasal voice she used in her early years
inspired by the incumbent of that era. Her "real" voice that the world
later came to hear turned out to be absolutely pure and golden. Imagine the
new heights this impeccable song would have reached if Lata didn't sing it
this way.