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Mai Ban Ke Chidiya Ban Ke Ban Ban Bolu Re - मै बन की चिड़ियाँ बन के बन बन बोलूँ रे
SingerDevika Rani, Ashok Kumar
Music bySaraswati Devi
Lyricist
ActorAshok Kumar, Devika Rani
Category
MovieAchhut Kanya (1936)
Lyrics of Mai Ban Ke Chidiya Ban Ke Ban Ban Bolu Re - मै बन की चिड़ियाँ बन के बन बन बोलूँ रे
mai ban ki chidiya ban ke ban ban bolu re
mai ban ka panchhi ban ke sang sang dolu re
mai ban ki chidiya ban ke ban ban bolu re
mai ban ka panchhi ban ke sang sang dolu re
mai dal dal udd jau nahi pakadayi me aau
mai dal dal udd jau nahi pakadayi me aau
tum dal dal mai pat pat bin pakde kabhi naa chhodu
sang sang dolu re tum dal dal mai pat pat
bin pakde kabhi naa chhodu ban ban bolu re
mai ban ki chidiya ban ke ban ban bolu re
mai ban ka panchhi ban ke sang sang dolu re
mai ban ki chidiya ban ke ban ban bolu re
sang sang dolu re
mai ban ka panchhi ban ke sang sang dolu re
mai ban ki chidiya ban ke ban ban bolu re
mai ban ka panchhi ban ke sang sang dolu re
mai dal dal udd jau nahi pakadayi me aau
mai dal dal udd jau nahi pakadayi me aau
tum dal dal mai pat pat bin pakde kabhi naa chhodu
sang sang dolu re tum dal dal mai pat pat
bin pakde kabhi naa chhodu ban ban bolu re
mai ban ki chidiya ban ke ban ban bolu re
mai ban ka panchhi ban ke sang sang dolu re
mai ban ki chidiya ban ke ban ban bolu re
sang sang dolu re
Poetic Translation - Lyrics of Mai Ban Ke Chidiya Ban Ke Ban Ban Bolu Re - मै बन की चिड़ियाँ बन के बन बन बोलूँ रे
A bird of the woods, I sing through every grove,
A forest fowl, with the wind, I rove.
A bird of the woods, my song fills the green,
A forest fowl, a constant, silent scene.
From branch to branch, I take my flight,
No cage can hold me, no binding tight.
From branch to branch, my journey starts,
You search the branches, I, the leaves and hearts.
Without capture, I'll never cease,
With you I wander, finding peace.
You search the branches, I, the leaves' embrace,
Without capture, in every place,
My song rings out, through the woods' deep space.
A bird of the woods, I sing through every grove,
A forest fowl, with the wind, I rove.
A bird of the woods, my song fills the green,
With you I wander, a constant scene.
A forest fowl, with the wind, I rove.
A bird of the woods, my song fills the green,
A forest fowl, a constant, silent scene.
From branch to branch, I take my flight,
No cage can hold me, no binding tight.
From branch to branch, my journey starts,
You search the branches, I, the leaves and hearts.
Without capture, I'll never cease,
With you I wander, finding peace.
You search the branches, I, the leaves' embrace,
Without capture, in every place,
My song rings out, through the woods' deep space.
A bird of the woods, I sing through every grove,
A forest fowl, with the wind, I rove.
A bird of the woods, my song fills the green,
With you I wander, a constant scene.
Comments on song "Mai Ban Ke Chidiya Ban Ke Ban Ban Bolu Re"
martyrindia on Wednesday, February 10, 2010
In 1936, Devika Rani eloped with her lover actor Najam-ul-Hussain. Himanshu
Rai somehow managed to bring her back but her paramour did not .The studio
head Himanshu Rai called upon his laboratory assistant Ashok Kumar as Hero
and thus began a six-decade-long acting career for that action.Devika Rani
is also accredited for having acted in the longest kissing scene in the
movie world with her husband Himanshu Rai in Karma (1933). It was 4 minutes
long and very controversial.
In 1936, Devika Rani eloped with her lover actor Najam-ul-Hussain. Himanshu
Rai somehow managed to bring her back but her paramour did not .The studio
head Himanshu Rai called upon his laboratory assistant Ashok Kumar as Hero
and thus began a six-decade-long acting career for that action.Devika Rani
is also accredited for having acted in the longest kissing scene in the
movie world with her husband Himanshu Rai in Karma (1933). It was 4 minutes
long and very controversial.
shamserehind on Sunday, March 09, 2008
Go bongs... I don't mean to be regionalistic here. It's just that very
few people know or even want to acknowledge the early contributions of the
Bengalis to the Indian & Hindi film industry. All we hear about is Shri
Dadasaheb Phalke and the likes. The other reason being that I am related to
"Devika Rani". I hope my comments are not interpreted as divisive. I am a
proud bengali, but I am also a proud Indian first. Jai hind.
Go bongs... I don't mean to be regionalistic here. It's just that very
few people know or even want to acknowledge the early contributions of the
Bengalis to the Indian & Hindi film industry. All we hear about is Shri
Dadasaheb Phalke and the likes. The other reason being that I am related to
"Devika Rani". I hope my comments are not interpreted as divisive. I am a
proud bengali, but I am also a proud Indian first. Jai hind.
chanto7 on Saturday, September 19, 2009
Surprise!i saw Ashok kumar singing for thje first time and Kishore his
younger brother was a great singer but not good at acting whereas Ashok
Kumar was was famous for his acting and ersonality.
Surprise!i saw Ashok kumar singing for thje first time and Kishore his
younger brother was a great singer but not good at acting whereas Ashok
Kumar was was famous for his acting and ersonality.
araniapparao on Saturday, May 09, 2009
Devika Rani Born on 30th March 1908 at VISAKHA PATNAM ( A.P.) ( earlier called as Waltair ) .Her father is Col. L.N.Chaudhury. She lived up to 8th March 1994- Arani Apparao ( Hyd-A.P.)
Devika Rani Born on 30th March 1908 at VISAKHA PATNAM ( A.P.) ( earlier called as Waltair ) .Her father is Col. L.N.Chaudhury. She lived up to 8th March 1994- Arani Apparao ( Hyd-A.P.)
Achhut Kanya (1936) - Movie Details
Film CastAshok Kumar, Devika Rani, Kamta Prasad, Kishori Lal, Mumtaz Ali, Sunita DeviSingerAshok Kumar, Devika Rani, Sarswati DeviLyricistJ S KashyapMusic BySarswati DeviDirectorFranz OstenExternal LinksAchhut Kanya at IMDB Achhut Kanya at WikipediaYouTubeAchhut Kanya at YT Achhut Kanya at YT(2)
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Ashok Kumar was hired by Bombay Talkies for Rs. 75 p.m. Gradually it was raised to Rs. 150 and then to Rs. 250 p.m. When he received Rs. 250 for the first time, he was so excited he could not sleep at night for fear that someone might rob him. He hid the money under his bedding and next morning deposited it in a post office. The same Ashok Kumar was getting Rs. 100, 000 for a single movie by mid-1940's (excerpts from an article in Ganje Farishte (Bald Angels) by Saadat Hassan Manto.)